The Mother of God Visits Hell (A Play in Iambic Pentameter), by Daniel Guyton
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The Mother of God Visits Hell (A Play in Iambic Pentameter), by Daniel Guyton
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*Winner of the Helen-Jean Play Contest 'Literary Creativity' Award in 2015; Semi-Finalist in the Princess Grace Playwriting Fellowship in 2014; and Official Selection of the Last Frontier Theatre Conference in Valdez, AK, 2014.The Mother of God Visits Hell is a full-length poetic play about the Virgin Mary. It is written in rhyming iambic pentameter, and based on a poem described in The Brothers Karamazov by Fyodor Dostoyevsky, in which the Virgin Mary travels to hell to comfort the souls in torment. While there, she becomes so moved by their plight that she pleads with God to forgive them. When he refuses, a war erupts between Heaven and Hell, as the two forces battle over good and evil.
The Mother of God Visits Hell (A Play in Iambic Pentameter), by Daniel Guyton- Amazon Sales Rank: #5668252 in Books
- Published on: 2015-03-13
- Released on: 2015-03-13
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .17" w x 6.00" l,
- Binding: Paperback
- 66 pages
Review
- "THE MOTHER OF GOD VISITS HELL by Daniel Guyton... is tightly structured with an amazing premise... The story captivates you, it has a premise that is delectable to the nth degree..." (What the Butler Saw theatre website, 2009)
- "THE MOTHER OF GOD VISITS HELL has my strongest recommendation. It holds out the hope that American playwrights will move above realism. What's more, Mr. Guyton's talents as a poet and a dramatist are stellar, and the script is a model for other dramatists." (Steve Capra, The Living Theatre in NYC, 2009)
- "THE MOTHER OF GOD VISITS HELL... was absolutely terrific! Daniel's wonderful writing provides a Shakespearean poetry and characters that are totally engaging! The event, at the Academy Theatre in Atlanta, was sponsored by Working Title Playwrights. Daniel's got a real winner with this play and I hope to see it on the stage!" (Bill Gibson, Working Title Playwrights, 2012)
- "With an opening sequence that begins in Heaven and encompasses a mother-son argument of philosophical magnitude between two spiritually and Biblically iconic beings, the elevated language... is quite justified - and effective. It's a tale of a journey from home in the vein of Hesse's "Siddhartha," but with a more philanthropic aim for the titular Mary... Mr. Guyton's gift for lush language is a gem for any reader, and it demands as many live readings as possible. (Sean Polite, Town & Gown Players, 2012)
- "Quite fantastic! I like the way, in iambic pentameter, you had so many rhymes within the middle of the lines... I thought [it] was remarkable. I especially liked the characters of Mary and Satan... I am so impressed by this piece of work, which might be called 'religious' or 'epic' or 'poetic'... It tells a simple story of Mary getting people out of Hell into Heaven, but in such a poetic and complex and delightful way. The additional characters (like the Cobbler) work excellently as well." (Martha Patterson, playwright, 2015)
- "This play manages to take what appears, on first examination, to be an absurd premise, and uses it to explore profoundly serious issues. At the same time, it manages to not only be entertaining but also an excellent literary work." (Official Feedback from the Helen-Jean Award Committee, 2015)
From the Author
- Winner of the Helen-Jean Play Contest 'Literary Creativity' Award, 2015
- Official Selection of the Last Frontier Theatre Conference in Valdez, AK, 2014
- Semi-Finalist in the Princess Grace Playwriting Fellowship, 2014
About the Author Daniel Guyton has won numerous writing awards, including two Kennedy Center/ACTF awards for his plays "Attic" and "Where's Julie?" He received his MFA in Dramatic Writing from the University of Georgia. His plays have been produced in New York City, Iceland, Canada, LA, Portland, Albany, Atlanta and more. Many of Daniel's short plays have been published in "The Twisted Mind of Daniel Guyton (Poetry & Plays in the Dark Comedy Vein)", and his plays "Attic", "Spat!", "Where's Julie?", "The Mother of God Visits Hell" and "Georgie Gets a Facelift" have been published in other collections as well. For more information, please visit: danguyton.com.
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Most helpful customer reviews
1 of 1 people found the following review helpful. Heavenly Recommendation! By sp1 I'm happy to say that I was cast for the "lead Diety" role in the first Mother of God Visits Hell stage production. It was a magic experience that has opened many doors (including a tentative radio play negotiation) for all performers involved. However, it all began with the strength and solidarity of this writing by Mr. Guyton.With an opening sequence that begins in Heaven and encompasses a mother-son argument of philosophical magnitude between two spiritually and Biblically iconic beings, the elevated language that Dan uses is quite justified---and effective.It's a tale of a journey from home in the vein of Hesse's "Siddhartha," but with a more philanthropic aim for the titular Mary. Combine a noble aim with the classic cunning ways of what we know as Satan/Lucifer/The Devil, and you have a great tale of sour consequences for sweet intentions. Arguments, bias, struggle, redemption---we've all known the first 3 things, and hope for the last.No characters are wasted in Mr. Guyton's writing, as the natural and supernatural display a poise, presence, or the occasional proverb on living (and dying) in a world encumbered in sin, the family you're born with (and ultimately depart), and the power of change (as well as the belief in making it happen).Forgive any non-clarity I've made here (as the Character I play would), and trust me that Mr. Guyton's gift for lush language is a gem for any reader, and it demands as many live readings as possible. For the actor or actress reading this, the multi-regional palate (see the Cobbler/Cobbler's Wife) invite a rich dialect study and is at the same time a great gateway to the periodic brilliance of epic/dramatic theatre (i.e. Shakespeare). It's a study in comic timing with it demanding one's sharpening of vebal delivery on the iambic pantameter so as to find the laughs (and sighs) that Dan's poetic dialogue (and yen for monologue) offers. All in all, it "sounds" good to the ear.As high-falutin' as it may sound, Dan Guyton has crafted a fine fable within Heaven, Hell, and Earth with the proper mix of action, musing, and emotion to win over your attention. I highly recommend it, and am looking forward to helming my role for a 3rd time for an upcoming live reading.Best Wishes, and may you enjoy this tale as much as I have!Sean P. (Role of God in 2009 Town & Gown "Mother of God" Production, WUGA 91.7 FM Radio Play, 2012 No Shame Reading Series Production)
1 of 1 people found the following review helpful. Finally, something happens on stage.... By Peter Marino I go to lots of plays, and while they are earnestly artsy, they are usually so boring I feel like time has stopped. This play is all the things I value in a good play: it's full of onstage action, it's brainy, and it wrestles with moral issues. I can't wait to see it performed.
1 of 1 people found the following review helpful. An actor's view. By L. Scott I was fortunate enought to be an actor performing one of Daniel's plays in a reading in NYC. His plays are witty, alittle off-center and always entertaining. He is a wonderful playwright and an audience favorite.-Lorenzo Scott-actor.
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